I was tagged for this blog tour by the wonderful Aaron Gudmunson, who put up his post last Monday. You can read it here. And if you haven't read his debut novel, Snow Globe, I suggest you check it out. Not only is the cover scary enough to induce nightmares, the story itself is one of the best I've read this year. And I read a whole heck of a lot!
For the tour I'm required to answer four questions and then pass on the torch. So here goes~
1.) What am I working on?
Currently I'm working on my novella, "The Night Air", which will be released in February 2015 by Ragnarok Publications in a four novella anthology--Grimm Mistresses. I'm sharing book space with some extremely talented female authors: CW LaSart, Mercedes M. Yardley, and Allison M. Dickson. The stories are all modern takes on Grimm fairy tales. My story idea came from a half dream/half lucid incident a few years back when my son had pneumonia and spins a new take on "The Pied Piper."
I'm also working on several anthologies I'm editing that should be releasing in the next few months: Fairly Wicked Tales, in which familiar fairy tales are told from the villain's point of view. The scifi/horror blend No Place Like Home: Tales From a Fractured Future whose tales envision what happens when the government controls too much. And the anticipated Demon Rum and Other Evil Spirits anthology, co-edited with Clint Collins. All the stories have alcohol as the central theme.
And a few short stories I'm writing. :)
2.) How does my work differ from others in the genre?
I'm not sure it does differ much. I will say (and probably should not admit it) I don't write deep stories, layered with hidden meaning. I don't write stories that leave you confused and bewildered or wondering if you missed something everyone else got. I think, when in the hands of the right authors, those stories have their place. But others just leave me shaking my head when I finish reading and that bites. So I write stories I would want to read, stories that entertain, and hopefully, scare the reader. I've always said my sole goal is to make someone leave the bedside light on. That's when I'll know I've succeeded. I want the reader to walk away from my story satisfied with what they've read and saying, "Wow. I didn't see that coming." I want them to still be thinking about it the next day. To me, those are the stories we should be writing.
3.) Why do I write what I do?
Mainly, because that's where my mind goes. I've tried to write other genres, but something horrible always seems to happen to my main characters. I wrote a blog post about the making of a horror writer, which you can read here, but long story short I was raised on a steady diet of horror shows, books, and spooky pranks. It's in my DNA. And I think horror serves a purpose in our lives. I mean, let's face it, things happen all the time in the world we live in that are far more horrific than anything I might write. So writing and reading horror give us a chance to escape the real world horror and allow some of that fear to come out, sort of like letting off a little steam before the pot boils over.
4.) How does my writing process work?
Usually a story will pop into my head through either a scene or a significant line from the story I've yet to write. Then I build the idea from there, mostly through a process I call "what if?" Where I walk around thinking and occasionally asking people "What if you were a pioneer and your family member died in the winter and the ground was too frozen to bury them? Where would you keep the body? How creepy would that be?" Or something of that nature, until the idea is a little more formed. Then I figure out where I'd like to see the story go. How does it end? And eventually I start writing. But I don't have a specific word count or anything, although I do like to at least finish the scene, or chapter, I'm working on. But I write while the words are flowing well. If I have to stop to think too much, I stop. Then I'll do some mindless task like dishes, mowing, laundry, taking a shower and the idea will keep tumbling around in my head until I get the next bit. Then I go back the next day, read what I've written and get the next bit out. I'm slow. Seriously slow. It can take me two weeks to write a short story. Then I have to go back and edit, send it to a friend, make changes based on their suggestions, read it aloud to my family, and finally it might be ready to submit.
Or, if I'm lucky the whole damn thing bursts out of me in five or so hours. :)
And there you have it. At least I hope you're still with me. I'm passing the tour to the lovely, talented Mercedes M. Yardley. Her post will be up next Monday, June 30th, but be sure to check out her blog before then. If you haven't read any of her work, you should. You will not be disappointed! I'm interested to see her answers to these questions. How writers write has always been fascinating to me.
Thanks for stopping by, don't be a stranger (though I hear strangers have the best candy...)!
♥
Stacey
Showing posts with label blog hops. Show all posts
Showing posts with label blog hops. Show all posts
Monday, June 23, 2014
Tuesday, June 4, 2013
Summer of Zombies!

What's a zombie fan to do in the down time between Walking Dead seasons? Summer of Zombies tour! It's that time of year again when the zombies come out to play. I mean zombie authors, of course. I've got a guest blog today from zombie author, Kirk Allmond. So sit back, relax, and get your zombie (author) on.
The Trouble With Writing Yourself.
Kirk Allmond
When I first started writing, someone said “Write what you
know.” So when I started What Zombies Fear, I took that
advice very literally. I wrote
myself. I maintain the world’s largest
zombie preparedness website (ZombiePreparedness.org). I’m a prepper. I have a bug out bag, and a zombie apocalypse
plan. I drive a 4wd truck even though I
live in the city, the whole nine yards.
My first name starts with V (Kirk is my middle name). So I chose the name Victor for my main
character. My plan is to leave my
home-town of York, PA and head to my family home in Virginia. So when my fictional zombie apocalypse hit,
Victor loaded his son Max (My son’s name is Jack) and his wife Candi (Jack’s
mother’s name is Sandi) into his silver Toyota 4Runner, just like mine. They headed south down a road I know like the
back of my hand, because I drive that road at least every six weeks to go visit
my mother.
Along the way, Victor’s wife Candi dies. (And I got a
divorce). He meets two Australian
friends John and Leo (My two friends John and Leo help me out at The Zombie
Preparedness Initiative, and were my beta-readers.)
At some point, Victor gets to his mother’s house. If you’ve read the book, you’ll recognize the
house immediately if you go to my mother’s Bed and Breakfast website, www.meander.net.
I finished the first book, and looking back through it, I
realized the problem with writing one’s self as a hero, especially when one is
as egotistical as I am. (Okay, fine. I
didn’t realize it, my lovely co-author Laura Bretz pointed it out.)
I never added any foibles to Victor. He was perfect. He always made the right decisions,
everything always worked out for him. He
didn’t have to grow, change, or become “better.” He was (Just like me) the perfect hero. I literally had to go back through it while
editing and add in some bad decisions.
Luckily for all of us, Laura is happy to point out my own foibles, and
then transfer them to Victor.
That was also about the time that we started writing the
second book in the series, and that’s when things started to go wrong for
Victor. Through books 2, 3, and 4,
things gradually get worse, and although there are some successes, Victor
continues to come apart under the stress.
He makes mistakes. He drops the
ball. He mistreats his friends, all in
the name of making the world safe for his son.
It wasn’t until the middle of the 5th book that I realized
that Victor was no longer anything like me.
Or the man I hope I would be if I was in his situation. I knew I was going to wrap the series after
the 6th book, and so began Victor’s journey towards salvation.
The entire series of books is about a man who loses himself
in a quest, loses sight of the things that are really important, because he
loves his son so much he’s willing to do whatever it takes to keep him
safe. I’m not sure if I would follow the
same path as Victor, but I can tell you one thing. Everything Victor has done and will do, I
would do to keep my own son happy.
I hope that you’ll give it a read. What Zombies Fear isn’t your typical zombie
story; it’s much more about the man and his son than the zombies. And the zombies aren’t your typical
zombies. Sure, there are the rotting
shamblers we all know and love. But some
of them are clever. And some of them are
fast. And they all want to eat you.

Kirk Allmond's first book, "What Zombies Fear: A Father's Quest" won no awards, but his mother thinks it’s pretty awesome and he's very confident you will too.
The
6th and final book in the bestselling What Zombies Fear series "The
Incarnation" will be published late summer 2013.
Books in the What Zombies Fear Series:
1. A Father's Quest
2. The Maxists
3. The Gathering
4. Fracture
5. Declaration of War
6. The Incarnation
Books in the What Zombies Fear Series:
1. A Father's Quest
2. The Maxists
3. The Gathering
4. Fracture
5. Declaration of War
6. The Incarnation
The
Farmer's Daughter is a short story set during the time period
"skipped" over in book 5. These will eventually be an entire series
of short stories called "Victor Tookes Adventures."
In
addition, Kirk Allmond and Laura Bretz also write a monthly serial called Will
of the Dead.
Kirk
enjoys writing zombie novels and also administers a zombie preparedness website,
www.zombiepreparedness.org. The sites goal is to teach any who'll listen how to
survive the inevitable zombie apocalypse. You can find him on Facebook at
http://www.facebook.com/whatzombiesfear.
Kirk has been featured on major market radio programs as an expert in zombie survival. He has spoken at numerous conventions and consulted on two zombie themed motion pictures.
Kirk has been featured on major market radio programs as an expert in zombie survival. He has spoken at numerous conventions and consulted on two zombie themed motion pictures.
The
in Michigan born writer holds firmly to the southern roots of his family. He
grew up in Chicago IL , and Roswell , GA.
Kirk has an amazing little boy named Jack who was born in 2007.
* *
* * *

Saturday, November 3, 2012
Coffin Hop Winners!
Sadly, the Coffin Hop has come to an end. Sad, because I probably will not keep up this level of blogging activity. I'll try, but well, you know. But on a happier note it's time to announce the winners of my Coffin Hop prizes. Drum roll please...
For the movie time game, I had three people who accurately guessed all the movies. And because I'm a good sport and slightly crazy, I'm sending them all a signed copy of Fading Light: An Anthology of the Monstrous. So, would wordplaythursday, wwe11, and JeanetteJ please send me your home adresses? I will get those out to you this week.
And the winner of their choice of titles from the AKP library is Anne Michaud. All I need from Anne is an email address and the title of her choice.
This has been fun. Thank you all for playing and I sincerely hope you enjoyed the interviews as much as I did. Be sure to check back occasionally, in case I get ambitious!
♥Stacey
For the movie time game, I had three people who accurately guessed all the movies. And because I'm a good sport and slightly crazy, I'm sending them all a signed copy of Fading Light: An Anthology of the Monstrous. So, would wordplaythursday, wwe11, and JeanetteJ please send me your home adresses? I will get those out to you this week.
And the winner of their choice of titles from the AKP library is Anne Michaud. All I need from Anne is an email address and the title of her choice.
This has been fun. Thank you all for playing and I sincerely hope you enjoyed the interviews as much as I did. Be sure to check back occasionally, in case I get ambitious!
♥Stacey
Thursday, November 1, 2012
Meet Kate Monroe
This post was supposed to come out on the 29th of October, but things went screwy. So officially, the Coffin Hop is over, but since I'm late with this one, I'm going to extend it for my blog. Comments on this post will still get you an entry to win my prizes.
I met Kate when I accepted her story, "Lullaby" for inclusion in Satan's Toybox: Demonic Dolls. It's one of my favorite stories in the anthology. So when I was approached about helping her out with a blog tour for her new book, The Falcon's Chase, I was thrilled. So, I'm interviewing her today. Stay put after the interview and I'll give you all the info about the book!
How long has writing been your passion?
Ever since I was a child I’ve been creating stories. I used to make up stories for my little brother when we went to bed, and then at the age of six I painstakingly wrote and bound my first book; a twenty page wonder about the adventures of a budgie named Snowy. Since then my passion for all things literary has grown exponentially. The more I read, the more I wanted to write, and I finally took the plunge two years ago to take up writing as a career.
What was the first thing you ever had published?
The short story ‘Lullaby’ in the Angelic Knight Press anthology, Satan’s Toybox: Demonic Dolls. When Stacey and Blaze accepted it for publication, it was a massive validation that other people saw value in what I was writing and that I’d made the right choice in sharing my work with others. I will forever be grateful to them for giving me what was at the time a much-needed confidence boost!
Do you write full time or do you also have a day job?
I’m fortunate enough that I can now write full-time, but in the past I’ve squeezed my writing time in around all sorts of jobs, from waitressing to music photography and everything in between. These days the only other demand on my time is my three-year-old daughter, but some days it feels like she’s a full-time job in herself!
What is your writing routine like?
In a word, erratic! I take any and every chance to write that I can get; sometimes I’ll be sat at the computer at 7am with a steaming cup of coffee, making the most of the early morning peace, and then other times I’ll stay awake until 4am writing until my head is finally empty enough to sleep. The only constant in my routine is that I have to write something every day, no matter where I am. If I don’t it’s impossible to sleep, so wherever I go I carry a notebook and pen with me to scribble things down as and when they come to me.
Where did the idea for this novel come from?
It actually evolved from a single sentence that I wrote for another novel entirely; the first of a trilogy that’s still under wraps. The sentence I wrote didn’t fit the character I originally drafted it for, but as my finger hovered over the delete button it grew wings all of its own and, within the space of an hour, The Falcon’s Chase was born. It was by far the easiest story I’ve ever written, as it seemed to spring fully-formed from that one sentence.
What drew you to this particular genre?
For a long time now I’ve had a lot of love for steampunk and all its sub genres. It’s a very liberating genre to write in, for there are very few strict rules; steampunk is all about letting your imagination take you on a journey into an alternative history. Add in a twist of tantalisingly anachronistic technology like the nanobots in The Falcon’s Chase and you’ve got a genre that’s utterly compelling. It’s no wonder that it’s taken off so spectacularly in the last few years.
What do you hope readers will take away from your book when they finish it?
I’d be delighted if it inspired them to look further into the steampunk genre. There’s something there for everyone, especially sci-fi and fantasy fans; William Gibson’s The Difference Engine is probably the definitive starting place, and from there it’s really just a question of personal taste as to where to go next.
Who are some authors that you admire?
I devoured the classics when I was younger, but the one book I returned to time and time again was Bram Stoker’s Dracula. The way that he defined an entire genre with one novel is staggering; every vampire novel written since has aspired to match that, and Dracula will forever be the standard to which other vampires are compared. From current authors, the undeniable stand-out to me is Neil Gaiman. The sheer scale and ambitious depth of the stories he writes never fail to impress me, and he even wrote an episode of Doctor Who last year that won a Hugo award. His portrayal of Idris in that episode was incredible, and his characterization is an absolute inspiration.
What is the best piece of writing advice you’ve ever received?
To improve your writing, read. It’s frightening how many authors think that it’s not necessary to read anything beside their own work, for in my opinion it’s crucial if you’re ever to improve.
What advice would you give to aspiring or new authors?
Write for yourself, no-one else. If you’re not writing what you genuinely want to, then what you produce won’t be as good as it could possibly be. Writing to fill a niche in the market or simply to publish in a genre that sells well shouldn’t be the driving aspiration for a new author; write because you have a tale to tell, and stay true to it. Only by doing so will you truly connect with your prose, and then the words will flow.
Kate's Bio:
My name is Katherine Seren Monroe – but when call me, you can call me Kate. I’m a redheaded author and editor who lives in a quiet and inspirational corner of southern England. I have penchants for the colour black, horror and loud guitars, and a fatal weakness for red wine.
I suppose I’m what you would call a geek. I love Doctor Who and Star Trek (Tom Baker will forever be my Doctor, and Patrick Stewart my captain). Gary Oldman’s turn as Dracula fostered a lifelong passion for Victoriana and the world of steampunk, but despite the fact that I specialised in history and literature, my one great love is for science. Nothing entrances me quite as much as theorising on all the mysteries our world has yet to reveal.
My interests in writing range from horror to erotica, taking in historical romance, steampunk and tales of the paranormal on the way; whatever I dreamed about the night before is liable to find its way onto the page in some form or another…
You can find Kate's blog here. Kate can also be found on Facebook and Twitter.
The Book:
Captain Reuben Costello is just hours away from facing his execution when the unlikeliest of rescuers storms into his cell. Lady Arianne Dalton needs the assistance of the infamous Black Swan to flee England and all its constraints. He finds himself more than willing to help the fiercely independent Ari in exchange for his freedom.
However, when they come to find their fates inextricably tangled in a plot that threatens the very foundations of British society, they are swept away on a chase that puts not only their lives, but their hearts at risk - and neither of them can defy the wild and stormy ride they find upon the Falcon.
Author: Kate Monroe
Publisher: Pink Pepper Press
Number of Pages: 298 pages
ISBN-13: 978-0615695662
ISBN-10: 0615695663
Release Date: October 5, 2012
You can find The Falcon's Chase on Amazon and CreateSpace.
♥Stacey
I met Kate when I accepted her story, "Lullaby" for inclusion in Satan's Toybox: Demonic Dolls. It's one of my favorite stories in the anthology. So when I was approached about helping her out with a blog tour for her new book, The Falcon's Chase, I was thrilled. So, I'm interviewing her today. Stay put after the interview and I'll give you all the info about the book!
How long has writing been your passion?
Ever since I was a child I’ve been creating stories. I used to make up stories for my little brother when we went to bed, and then at the age of six I painstakingly wrote and bound my first book; a twenty page wonder about the adventures of a budgie named Snowy. Since then my passion for all things literary has grown exponentially. The more I read, the more I wanted to write, and I finally took the plunge two years ago to take up writing as a career.
What was the first thing you ever had published?
The short story ‘Lullaby’ in the Angelic Knight Press anthology, Satan’s Toybox: Demonic Dolls. When Stacey and Blaze accepted it for publication, it was a massive validation that other people saw value in what I was writing and that I’d made the right choice in sharing my work with others. I will forever be grateful to them for giving me what was at the time a much-needed confidence boost!
Do you write full time or do you also have a day job?
I’m fortunate enough that I can now write full-time, but in the past I’ve squeezed my writing time in around all sorts of jobs, from waitressing to music photography and everything in between. These days the only other demand on my time is my three-year-old daughter, but some days it feels like she’s a full-time job in herself!
What is your writing routine like?
In a word, erratic! I take any and every chance to write that I can get; sometimes I’ll be sat at the computer at 7am with a steaming cup of coffee, making the most of the early morning peace, and then other times I’ll stay awake until 4am writing until my head is finally empty enough to sleep. The only constant in my routine is that I have to write something every day, no matter where I am. If I don’t it’s impossible to sleep, so wherever I go I carry a notebook and pen with me to scribble things down as and when they come to me.
Where did the idea for this novel come from?
It actually evolved from a single sentence that I wrote for another novel entirely; the first of a trilogy that’s still under wraps. The sentence I wrote didn’t fit the character I originally drafted it for, but as my finger hovered over the delete button it grew wings all of its own and, within the space of an hour, The Falcon’s Chase was born. It was by far the easiest story I’ve ever written, as it seemed to spring fully-formed from that one sentence.
What drew you to this particular genre?
For a long time now I’ve had a lot of love for steampunk and all its sub genres. It’s a very liberating genre to write in, for there are very few strict rules; steampunk is all about letting your imagination take you on a journey into an alternative history. Add in a twist of tantalisingly anachronistic technology like the nanobots in The Falcon’s Chase and you’ve got a genre that’s utterly compelling. It’s no wonder that it’s taken off so spectacularly in the last few years.
What do you hope readers will take away from your book when they finish it?
I’d be delighted if it inspired them to look further into the steampunk genre. There’s something there for everyone, especially sci-fi and fantasy fans; William Gibson’s The Difference Engine is probably the definitive starting place, and from there it’s really just a question of personal taste as to where to go next.
Who are some authors that you admire?
I devoured the classics when I was younger, but the one book I returned to time and time again was Bram Stoker’s Dracula. The way that he defined an entire genre with one novel is staggering; every vampire novel written since has aspired to match that, and Dracula will forever be the standard to which other vampires are compared. From current authors, the undeniable stand-out to me is Neil Gaiman. The sheer scale and ambitious depth of the stories he writes never fail to impress me, and he even wrote an episode of Doctor Who last year that won a Hugo award. His portrayal of Idris in that episode was incredible, and his characterization is an absolute inspiration.
What is the best piece of writing advice you’ve ever received?
To improve your writing, read. It’s frightening how many authors think that it’s not necessary to read anything beside their own work, for in my opinion it’s crucial if you’re ever to improve.
What advice would you give to aspiring or new authors?
Write for yourself, no-one else. If you’re not writing what you genuinely want to, then what you produce won’t be as good as it could possibly be. Writing to fill a niche in the market or simply to publish in a genre that sells well shouldn’t be the driving aspiration for a new author; write because you have a tale to tell, and stay true to it. Only by doing so will you truly connect with your prose, and then the words will flow.
Kate's Bio:
My name is Katherine Seren Monroe – but when call me, you can call me Kate. I’m a redheaded author and editor who lives in a quiet and inspirational corner of southern England. I have penchants for the colour black, horror and loud guitars, and a fatal weakness for red wine.
I suppose I’m what you would call a geek. I love Doctor Who and Star Trek (Tom Baker will forever be my Doctor, and Patrick Stewart my captain). Gary Oldman’s turn as Dracula fostered a lifelong passion for Victoriana and the world of steampunk, but despite the fact that I specialised in history and literature, my one great love is for science. Nothing entrances me quite as much as theorising on all the mysteries our world has yet to reveal.
My interests in writing range from horror to erotica, taking in historical romance, steampunk and tales of the paranormal on the way; whatever I dreamed about the night before is liable to find its way onto the page in some form or another…
You can find Kate's blog here. Kate can also be found on Facebook and Twitter.
The Book:

Captain Reuben Costello is just hours away from facing his execution when the unlikeliest of rescuers storms into his cell. Lady Arianne Dalton needs the assistance of the infamous Black Swan to flee England and all its constraints. He finds himself more than willing to help the fiercely independent Ari in exchange for his freedom.
However, when they come to find their fates inextricably tangled in a plot that threatens the very foundations of British society, they are swept away on a chase that puts not only their lives, but their hearts at risk - and neither of them can defy the wild and stormy ride they find upon the Falcon.
Author: Kate Monroe
Publisher: Pink Pepper Press
Number of Pages: 298 pages
ISBN-13: 978-0615695662
ISBN-10: 0615695663
Release Date: October 5, 2012
You can find The Falcon's Chase on Amazon and CreateSpace.
♥Stacey
Wednesday, October 31, 2012
Happy Halloween!
So it's the last post for Coffin Hop and I couldn't think of anything to blog about today. But then I had an idea. Remember those old choose your own adventure books? Well, this is a choose your own blog post. I have another blog that I started several years ago. It's my silly side and where I blog about my family. And one year, I did several fun Halloween posts. So I'm going to post links to those posts and you can read what you want.
Would you like a real life ghost story from my own personal experiences? Then you should read "That story I promised you on Sunday" or maybe "So about that haunted house...."
If you want a spooky video from the web, try "The Pantry Ghost."
Another little bit of real life and two movie reviews? Read "Ghosties Again."
If you'd like a spooky poem, try "Come in for a spell."
Want a funny post? Try "The one where I loose a tooth in a pumpkin carving accident..."
And for completely ridiculous, try "The one with zombie giraffes."
Leave me a comment and let me know which one you chose and what you thought about it. All comments are an entry to win a signed (by several authors) print copy of Fading Light. Or your choice of an eBook version of any of AKP's titles.
Don't forget to visit the other Coffin Hop blogs here .
Happy Halloween & Happy Hopping,
♥Stacey
Would you like a real life ghost story from my own personal experiences? Then you should read "That story I promised you on Sunday" or maybe "So about that haunted house...."
If you want a spooky video from the web, try "The Pantry Ghost."
Another little bit of real life and two movie reviews? Read "Ghosties Again."
If you'd like a spooky poem, try "Come in for a spell."
Want a funny post? Try "The one where I loose a tooth in a pumpkin carving accident..."
And for completely ridiculous, try "The one with zombie giraffes."
Leave me a comment and let me know which one you chose and what you thought about it. All comments are an entry to win a signed (by several authors) print copy of Fading Light. Or your choice of an eBook version of any of AKP's titles.
Don't forget to visit the other Coffin Hop blogs here .
Happy Halloween & Happy Hopping,
♥Stacey
Saturday, October 27, 2012
Movie Time!
So I'm still doing the Coffin Hop thing and thought I'd take a break from interviews. I played a Horror Movie game on Belinda Frisch's blog yesterday and came close to winning. It was so much fun that I thought I'd try it out here. Obviously, I picked different movies than Belinda did, just to mix things up. So scroll through the movie stills and write down the titles. I've picked movies from the last decade, mostly from the last couple of years. All are ones that I've enjoyed.
Since we're Coffin Hopping, you get a chance to win prizes. For a signed (by Gene O'Neill, Gord Rollo, Tim Marquitz, and little ole me) copy of Fading Light: An Anthology of the Monstrous, leave a comment on every blog post. You can always go back and catch up! To win a free eBook of your choice, from any of the Angelic Knight Press titles, one comment = one entry. Don't forget to hop by the AKP blog and meet some of our authors. Leave a comment for a chance to win some cool prizes. And visit the other Coffin Hoppin' Cool Kids here.
Thanks for playing and good luck!
#1
#2
#3
#4
#5
#6
#7
#8
Up until now you've been getting one point for each correct guess. The next two pictures are from older films that I consider classics in the genre. Two points apiece for them.
#9
#10

And last but not least, this film is not only a classic, but it's the film I credit with my early love of horror. And a life long phobia. Three points for this guy.
#11

Alright! And today's winner gets a signed copy of Fading Light. Plus an entry into the hat for a free eBook. Have fun!
Happy Hopping,
♥Stacey
Since we're Coffin Hopping, you get a chance to win prizes. For a signed (by Gene O'Neill, Gord Rollo, Tim Marquitz, and little ole me) copy of Fading Light: An Anthology of the Monstrous, leave a comment on every blog post. You can always go back and catch up! To win a free eBook of your choice, from any of the Angelic Knight Press titles, one comment = one entry. Don't forget to hop by the AKP blog and meet some of our authors. Leave a comment for a chance to win some cool prizes. And visit the other Coffin Hoppin' Cool Kids here.
Thanks for playing and good luck!
Up until now you've been getting one point for each correct guess. The next two pictures are from older films that I consider classics in the genre. Two points apiece for them.
#9

And last but not least, this film is not only a classic, but it's the film I credit with my early love of horror. And a life long phobia. Three points for this guy.

Alright! And today's winner gets a signed copy of Fading Light. Plus an entry into the hat for a free eBook. Have fun!
Happy Hopping,
♥Stacey
Friday, October 26, 2012
Meet Fran Friel
I met Fran Friel at KillerCon in Vegas this year. I was instantly a Fran fan. Not only is she perhaps one of the nicest people I've ever met, she's one of those individuals who instantly make you feel at home in their presence, as though you'd known them forever. We went to dinner with some other fine folks (Gene O'Neill, Gord Rollo, Danielle Day, Bob Meracle, and Bill Gagliani) and had one of the best conversations about writing that I've ever had the great fortune to take part in. I'm happy to call all of them my friends.
I attended a reading that Fran did at the convention for her short story collection, Mama's Boy. And I was blown away. Here's this super nice, super caring lady talking about dead babies falling from the sky. Yep. You read that right. Dead babies. Talk about blown away. So naturally, I had to buy the book. And Fran was kind enough to sign it personally for me. You can read my review of her book over at See Spot Read. Go ahead, you now you want to...
But for this blog, I interviewed Fran so the rest of you could get to know more about her. And you'll see by her answers what a wonderful conversationalist she is. Without further ado~
1. How long have you been taking your writing seriously?
I know that many of us have been writing since we could hold a crayon, but when did you have that subtle mental shift that says, “I am a writer?” I’ve always known, Stacey. Dr. Seuss and Green Eggs and Ham sent me down that slippery slope at a very early age. I was writing poetry for the community newsletter when I was six. My Aunt Helen was the publisher, and her deadlines were so demanding, I wilted under the pressure and gave up writing until I was “discovered” in high school. But I’m plagued (or gifted…depends on the day) with a Gemini’s heart, so there was also art. I spent an inordinate number of hours staring at flowers and trying to draw them. Then there was my Norman Rockwell phase. I recreated his portfolio with colored pencils, and I suspect Norman is still rolling over in his grave. Hmm…I think there’s a story there, but I digress. Then there was music (I told you I’m a Gemini!). I played the Bassoon, which is a big double-reed instrument in the oboe family. It’s a fairly rare instrument, so I was fortunate to get a full scholarship to a wonderful college prep school, and also to a university conservatory. So, music took front stage for many years, and my writing stayed in the shadows. Finally, in my thirties, I started feeling the pull again, but it wasn’t until 2005 when my dear husband made the suggestion that I get serious about it, that I finally jumped in with both feet. Good husband, huh?
2. Do you write full time or do you have a day job?
Well, I’m the keeper of the castle here at Chateau Friel, and that keeps me busier than I’d like to be. I’m financier, bookkeeper, housekeeper, animal wrangler, repair woman, mechanic, gardener, personal shopper, and personal assistant to Mr. Friel (he works a minimum of 14 hours a day and when he’s not working, he’s mostly sleeping…poor guy). I retired from my private practice as a holistic therapist back in 2005 to pursue writing, but I still see clients part-time. So, I continue to pursue that magical balance between the demands of normal life and writing life. I’m not there yet, but I can smell it. It’s close.
3. What is your writing routine like? Any special rituals you must complete to get you “in the mood?”
Being the keeper of the castle and being a Gemini makes setting a routine a challenging thing, consequently, I’m usually flying by the seat of my pants. I wish I could offer some wisdom on the subject, but my goal at this time of my life and my career is to keep writing and to maintain my love of the process. I have had the tendency to make writing a laborious chore, weighting it in my mind as something akin to doing brain surgery in a war zone combined with spreading hot tar on the roof of a sweltering city apartment building. This, as you can imagine, is not an inspiring scenario. Hence, my change of heart—I’m keeping it light, and my muse and I love it! Fortunately, when I’m not castle keeping, I have a very quiet house in which to work. When I write, I don’t listen to music (unless I’m in a public place, then the headphones come out and I crank up some ambient tunes to block out the noise!). I don’t have the television on. I like it completely quiet (I’m a little ADD, so sound is distracting to me). Writing for me is like a meditation. I’m going someplace deep and far away. I find interruptions almost painful—like being dragged up from the depths back into the glaring world of real life. Ugh.
4. Pantser or Plotter?
I used to be a very careful plotter. I wasn’t comfortable writing until I knew most of the details and plot points and how I was going to get were I was go. It felt like writing with a connect-the-dots approach. Then I started to notice that I was losing the juice. By outlining with so much detail, I often felt like I’d already written the story, so the creative energy seemed somehow spent before I did the actual writing. So with my need to keep loving the process, sans the roof tarring misery, I decided to start writing blind. I’m a firm believer in the magic of the creative process, so I challenged myself to take an inspiration and just run with it. An inspiration usually comes in the form of a scene, or maybe just a snapshot of a scene—a mystery for me to solve. What is this scene about? Who is in it? What is the significance of the objects I’m seeing or the feelings this image is engendering in me? It’s kind of like stepping into the scene of a movie, or stepping onto a set where everyone is frozen in place. What’s happening? I’ll sit with those questions for a while and daydream until the answers start to get clearer. Then I just start writing—drilling down. So far this process has never failed me. The story begins to reveal itself, and I just follow along. When I get stuck, I pose a question to my psyche about whatever the problem is, then I take a break. Sometimes I take a nap, or sleep on it. Inevitably, the muse and the secret writer in my brain’s private office, they sort it out and bring me the answer. This is my version of the elves who make the shoes while the cobbler sleeps. I’ll make notes about a story when an idea hits me, but I don’t plot anymore. I may make a scene list that can be juggled into place and repositioned for continuity and arc, but for me, that’s part of the editing process. I fast draft the first draft with minimal editing, so as not to stifle the creative process, then I put on my editors hat. I’m merciless in the editing process, which is much easier to do when I take off the hat of the artsy fartsy writer—she’s much too sensitive about “killing her darlings.”
5. Have you always been a fan of the horror genre?
Not really. Like many folks, I read Stephen King and Dean Koontz before I became a writer, but my first love has always been Science Fiction. I fell into writing horror kind of by accident. I was eager to get my first publication credit, and a friend told me that the Horror Library was holding a contest. Winning included publication, so I gave it shot. To my surprise, I won. I seemed to have a bit of a knack for twisted tales (which I attribute to having older brothers—read my story, “Mashed,” and you’ll see what I mean).
6. “Fine Print” was one of my favorite stories in your collection, Mama’s Boy. The society and the idea of the dreamers was very detailed. How did you come up with the idea?
I’m so glad you enjoyed the story, Stacy. When I wrote it, I was worried that the pacing was too slow for most readers, but I made an executive decision to slow it down and follow wherever it wanted to take me. That’s how the details of the Society of Dreamers emerged. I’ve been a long-time student of The Monroe Institute, where I’ve studied the subject of expanded consciousness and things like the out-of-body experience, life after death, and near death experiences. The esoteric and the mystical have fascinated me for most of my life, so I guess the concepts just bubbled up out of my psyche. There was very little thinking and planning on the subject—the details just revealed themselves piece by piece.
7. I’ve met you in person, and you are so fantastically sweet and caring. But some of the stories in this collection, “Special Prayers,” for example are amazingly dark. How do you explain such a dichotomy between your public self and your writing self?
You’re very kind to say that, Stacy, but I’m not really sure. I did spend sixteen years in private practice as a holistic therapist, not to mention, a lot of years of training and private therapy. I’ve gone to very deep places with folks, as well as in my own personal work, so I guess you could say that I’m not afraid to plumb the depths of the human psyche. The psychology of why people do what they do, fascinates me. I believe that for the most part, we’re not born evil. We learn it as a means of survival. That doesn’t justify the darkness they inflict on others, but it sure is an intriguing subject to explore.
8. Who are some of today’s authors that you admire?
These days, I read mostly Science Fiction, and I tend toward British writers, like Peter F. Hamilton and Iain M. Banks, but I love the work of Cat Rambo, Kelly Link, and my old favorites, Jack Vance and Julian May. Some of the horror voices that I really enjoy are Gary Braunbeck, Gene O’Neill, Tom Piccirilli, John R. Little, Kealan Patrick Burke, and John Mantooth, all who write strong character driven stories with a psychological bent.
9. What is the best piece of writing advice you’ve ever received?
Well, I know you asked for the best, but I’ve gotten a couple. Hard to pick the best.
1. I took a fiction course at Gotham Writers’ Workshop with Terri Brown Davidson. She’s the angel who taught me to use the two hats writing approach of fast drafting with complete abandon, then switching hats and passing the reigns to the ruthless self-editor. It’s very freeing!
2. Stephen King’s, On Writing, changed me as a writer with his simple advice to “Tell the truth.” I’ve never forgotten that. When I get antsy about writing something that’s personally uncomfortable, but completely truth for the character, I put on my big girl pants and tell the truth, just like Master King told me.
3. A few years back I did a writers’ intensive where we did tabletop critiques with seasoned professionals. We went from one instructor’s critiquing circle to the next—kind of like running the gauntlet. One instructor, who knew my work well, literally said, “What is the sh*t? This opening is completely incomprehensible!” Tough skinned, I took my lickin’ and went on to the next instructor. He also knew my work well, and preceded to tell me that the story was the best thing I’d ever written, particularly the opening. That day, I learned that opinions are just that—opinions! I take them all with a grain of salt.
10. What advice would you give to new or aspiring authors?
I would recommend a couple of things:
1. Join a critique group. If you can’t find one, create one. Francis Ford Coppola’s, Zoetrope.com Virtual Studios is where I started. Only about ten to twenty percent of the advice you get in most critique groups will be of value. When multiple people tell you the same thing, then take serious notice. The rest, take under advisement.
2. Volunteer to be a slush reader for a fiction magazine, preferably one in your genre. The experience is invaluable, because you learn quickly what not to do when you see the same errors over and over. You also learn how editors choose stories. It often has nothing to do with the writing; rather it’s a personal preference, duplicate subject matter in an issue, or a story is just not right for that particular month, etc.
3. Go to writing conventions or workshops. Study your craft (particularly the Three Act Play, theme, POV, and voice) and meet people face to face. Introduce yourself and be humble. These friendships and connections can make a huge difference in your career long-term.
4. Write a lot, but let your first drafts sit for at least a couple of weeks before you do your next draft. Waiting will help you see your work with fresh eyes. Avoid rushing to submit. If your writing is good enough for publication, make sure it’s the best work you can produce at the time. Otherwise, you’ll regret it later and wish you could go back and fix all the crap you didn’t notice because you sent the story out too quickly.
5. Finally, Fast Draft with wonder and abandon. Edit fearlessly!
Thanks so much for the opportunity to talk with you and your readers. It’s been a real pleasure. Let’s do it again soon!
No. Thank you, Fran, for sharing so much with my readers. (I told you she was a sweetheart, didn't I?)
Fran's Bio:
FRAN FRIEL lives and dreams by the sea in southern New England. She’s a two-time Bram Stoker Award finalist and winner of the Black Quill Award. She writes horror, dark fantasy and science fiction, and like many “respectable” authors, she is currently working on a novel. You'll find Fran’s award winning collection, Mama’s Boy and Other Dark Tales, at ApexBookCompany.com and other fine book sellers.
Fran’s work has been featured in anthologies such as, Horror Library Vol. 1 (Cutting Block Press), Tiny Terrors 2 (Hadesgate/UK) and Legends of the Mountain State III (Woodland Press), as well as publications online and in print at The Horror Library, Apex Digest, Insidious Reflections, Wicked Karnival, The Lightning Journal, Lamoille Lamentations The Eldritch Gazette, and Dark Recesses Press. Fran’s limited edition debut novella, Mama's Boy, was nominated for the Bram Stoker Award (2006), as was the the follow-up collection, Mama's Boy and Other Dark Tales (2008 Stoker Finalist).
You can find Fran on FaceBook, Twitter, and at her blog.
For all you Coffin Hopper's out there, don't forget to leave a comment to win prizes. I'm offering a signed (by Gene O'Neill, Gord Rollo, Tim Marquitz, and me!) print copy of Fading Light: An Anthology of the Monstrous to one lucky winner who leaves a comment every day. For a free eBook of your choice from the AKP library of titles, one comment = one entry. Don't forget to stop by the Angelic Knight Press blog for a chance to win frame quality artwork and a free copy of Satan's Toybox: Terrifying Teddies. You should also visit the other Coffin Hop blogs here for a chance to win other great prizes.
♥Stacey
I attended a reading that Fran did at the convention for her short story collection, Mama's Boy. And I was blown away. Here's this super nice, super caring lady talking about dead babies falling from the sky. Yep. You read that right. Dead babies. Talk about blown away. So naturally, I had to buy the book. And Fran was kind enough to sign it personally for me. You can read my review of her book over at See Spot Read. Go ahead, you now you want to...
But for this blog, I interviewed Fran so the rest of you could get to know more about her. And you'll see by her answers what a wonderful conversationalist she is. Without further ado~
1. How long have you been taking your writing seriously?
I know that many of us have been writing since we could hold a crayon, but when did you have that subtle mental shift that says, “I am a writer?” I’ve always known, Stacey. Dr. Seuss and Green Eggs and Ham sent me down that slippery slope at a very early age. I was writing poetry for the community newsletter when I was six. My Aunt Helen was the publisher, and her deadlines were so demanding, I wilted under the pressure and gave up writing until I was “discovered” in high school. But I’m plagued (or gifted…depends on the day) with a Gemini’s heart, so there was also art. I spent an inordinate number of hours staring at flowers and trying to draw them. Then there was my Norman Rockwell phase. I recreated his portfolio with colored pencils, and I suspect Norman is still rolling over in his grave. Hmm…I think there’s a story there, but I digress. Then there was music (I told you I’m a Gemini!). I played the Bassoon, which is a big double-reed instrument in the oboe family. It’s a fairly rare instrument, so I was fortunate to get a full scholarship to a wonderful college prep school, and also to a university conservatory. So, music took front stage for many years, and my writing stayed in the shadows. Finally, in my thirties, I started feeling the pull again, but it wasn’t until 2005 when my dear husband made the suggestion that I get serious about it, that I finally jumped in with both feet. Good husband, huh?
2. Do you write full time or do you have a day job?
Well, I’m the keeper of the castle here at Chateau Friel, and that keeps me busier than I’d like to be. I’m financier, bookkeeper, housekeeper, animal wrangler, repair woman, mechanic, gardener, personal shopper, and personal assistant to Mr. Friel (he works a minimum of 14 hours a day and when he’s not working, he’s mostly sleeping…poor guy). I retired from my private practice as a holistic therapist back in 2005 to pursue writing, but I still see clients part-time. So, I continue to pursue that magical balance between the demands of normal life and writing life. I’m not there yet, but I can smell it. It’s close.
3. What is your writing routine like? Any special rituals you must complete to get you “in the mood?”
Being the keeper of the castle and being a Gemini makes setting a routine a challenging thing, consequently, I’m usually flying by the seat of my pants. I wish I could offer some wisdom on the subject, but my goal at this time of my life and my career is to keep writing and to maintain my love of the process. I have had the tendency to make writing a laborious chore, weighting it in my mind as something akin to doing brain surgery in a war zone combined with spreading hot tar on the roof of a sweltering city apartment building. This, as you can imagine, is not an inspiring scenario. Hence, my change of heart—I’m keeping it light, and my muse and I love it! Fortunately, when I’m not castle keeping, I have a very quiet house in which to work. When I write, I don’t listen to music (unless I’m in a public place, then the headphones come out and I crank up some ambient tunes to block out the noise!). I don’t have the television on. I like it completely quiet (I’m a little ADD, so sound is distracting to me). Writing for me is like a meditation. I’m going someplace deep and far away. I find interruptions almost painful—like being dragged up from the depths back into the glaring world of real life. Ugh.
4. Pantser or Plotter?
I used to be a very careful plotter. I wasn’t comfortable writing until I knew most of the details and plot points and how I was going to get were I was go. It felt like writing with a connect-the-dots approach. Then I started to notice that I was losing the juice. By outlining with so much detail, I often felt like I’d already written the story, so the creative energy seemed somehow spent before I did the actual writing. So with my need to keep loving the process, sans the roof tarring misery, I decided to start writing blind. I’m a firm believer in the magic of the creative process, so I challenged myself to take an inspiration and just run with it. An inspiration usually comes in the form of a scene, or maybe just a snapshot of a scene—a mystery for me to solve. What is this scene about? Who is in it? What is the significance of the objects I’m seeing or the feelings this image is engendering in me? It’s kind of like stepping into the scene of a movie, or stepping onto a set where everyone is frozen in place. What’s happening? I’ll sit with those questions for a while and daydream until the answers start to get clearer. Then I just start writing—drilling down. So far this process has never failed me. The story begins to reveal itself, and I just follow along. When I get stuck, I pose a question to my psyche about whatever the problem is, then I take a break. Sometimes I take a nap, or sleep on it. Inevitably, the muse and the secret writer in my brain’s private office, they sort it out and bring me the answer. This is my version of the elves who make the shoes while the cobbler sleeps. I’ll make notes about a story when an idea hits me, but I don’t plot anymore. I may make a scene list that can be juggled into place and repositioned for continuity and arc, but for me, that’s part of the editing process. I fast draft the first draft with minimal editing, so as not to stifle the creative process, then I put on my editors hat. I’m merciless in the editing process, which is much easier to do when I take off the hat of the artsy fartsy writer—she’s much too sensitive about “killing her darlings.”
5. Have you always been a fan of the horror genre?
Not really. Like many folks, I read Stephen King and Dean Koontz before I became a writer, but my first love has always been Science Fiction. I fell into writing horror kind of by accident. I was eager to get my first publication credit, and a friend told me that the Horror Library was holding a contest. Winning included publication, so I gave it shot. To my surprise, I won. I seemed to have a bit of a knack for twisted tales (which I attribute to having older brothers—read my story, “Mashed,” and you’ll see what I mean).
6. “Fine Print” was one of my favorite stories in your collection, Mama’s Boy. The society and the idea of the dreamers was very detailed. How did you come up with the idea?
I’m so glad you enjoyed the story, Stacy. When I wrote it, I was worried that the pacing was too slow for most readers, but I made an executive decision to slow it down and follow wherever it wanted to take me. That’s how the details of the Society of Dreamers emerged. I’ve been a long-time student of The Monroe Institute, where I’ve studied the subject of expanded consciousness and things like the out-of-body experience, life after death, and near death experiences. The esoteric and the mystical have fascinated me for most of my life, so I guess the concepts just bubbled up out of my psyche. There was very little thinking and planning on the subject—the details just revealed themselves piece by piece.
7. I’ve met you in person, and you are so fantastically sweet and caring. But some of the stories in this collection, “Special Prayers,” for example are amazingly dark. How do you explain such a dichotomy between your public self and your writing self?
You’re very kind to say that, Stacy, but I’m not really sure. I did spend sixteen years in private practice as a holistic therapist, not to mention, a lot of years of training and private therapy. I’ve gone to very deep places with folks, as well as in my own personal work, so I guess you could say that I’m not afraid to plumb the depths of the human psyche. The psychology of why people do what they do, fascinates me. I believe that for the most part, we’re not born evil. We learn it as a means of survival. That doesn’t justify the darkness they inflict on others, but it sure is an intriguing subject to explore.
8. Who are some of today’s authors that you admire?
These days, I read mostly Science Fiction, and I tend toward British writers, like Peter F. Hamilton and Iain M. Banks, but I love the work of Cat Rambo, Kelly Link, and my old favorites, Jack Vance and Julian May. Some of the horror voices that I really enjoy are Gary Braunbeck, Gene O’Neill, Tom Piccirilli, John R. Little, Kealan Patrick Burke, and John Mantooth, all who write strong character driven stories with a psychological bent.
9. What is the best piece of writing advice you’ve ever received?
Well, I know you asked for the best, but I’ve gotten a couple. Hard to pick the best.
1. I took a fiction course at Gotham Writers’ Workshop with Terri Brown Davidson. She’s the angel who taught me to use the two hats writing approach of fast drafting with complete abandon, then switching hats and passing the reigns to the ruthless self-editor. It’s very freeing!
2. Stephen King’s, On Writing, changed me as a writer with his simple advice to “Tell the truth.” I’ve never forgotten that. When I get antsy about writing something that’s personally uncomfortable, but completely truth for the character, I put on my big girl pants and tell the truth, just like Master King told me.
3. A few years back I did a writers’ intensive where we did tabletop critiques with seasoned professionals. We went from one instructor’s critiquing circle to the next—kind of like running the gauntlet. One instructor, who knew my work well, literally said, “What is the sh*t? This opening is completely incomprehensible!” Tough skinned, I took my lickin’ and went on to the next instructor. He also knew my work well, and preceded to tell me that the story was the best thing I’d ever written, particularly the opening. That day, I learned that opinions are just that—opinions! I take them all with a grain of salt.
10. What advice would you give to new or aspiring authors?
I would recommend a couple of things:
1. Join a critique group. If you can’t find one, create one. Francis Ford Coppola’s, Zoetrope.com Virtual Studios is where I started. Only about ten to twenty percent of the advice you get in most critique groups will be of value. When multiple people tell you the same thing, then take serious notice. The rest, take under advisement.
2. Volunteer to be a slush reader for a fiction magazine, preferably one in your genre. The experience is invaluable, because you learn quickly what not to do when you see the same errors over and over. You also learn how editors choose stories. It often has nothing to do with the writing; rather it’s a personal preference, duplicate subject matter in an issue, or a story is just not right for that particular month, etc.
3. Go to writing conventions or workshops. Study your craft (particularly the Three Act Play, theme, POV, and voice) and meet people face to face. Introduce yourself and be humble. These friendships and connections can make a huge difference in your career long-term.
4. Write a lot, but let your first drafts sit for at least a couple of weeks before you do your next draft. Waiting will help you see your work with fresh eyes. Avoid rushing to submit. If your writing is good enough for publication, make sure it’s the best work you can produce at the time. Otherwise, you’ll regret it later and wish you could go back and fix all the crap you didn’t notice because you sent the story out too quickly.
5. Finally, Fast Draft with wonder and abandon. Edit fearlessly!
Thanks so much for the opportunity to talk with you and your readers. It’s been a real pleasure. Let’s do it again soon!
No. Thank you, Fran, for sharing so much with my readers. (I told you she was a sweetheart, didn't I?)
Fran's Bio:
FRAN FRIEL lives and dreams by the sea in southern New England. She’s a two-time Bram Stoker Award finalist and winner of the Black Quill Award. She writes horror, dark fantasy and science fiction, and like many “respectable” authors, she is currently working on a novel. You'll find Fran’s award winning collection, Mama’s Boy and Other Dark Tales, at ApexBookCompany.com and other fine book sellers.
Fran’s work has been featured in anthologies such as, Horror Library Vol. 1 (Cutting Block Press), Tiny Terrors 2 (Hadesgate/UK) and Legends of the Mountain State III (Woodland Press), as well as publications online and in print at The Horror Library, Apex Digest, Insidious Reflections, Wicked Karnival, The Lightning Journal, Lamoille Lamentations The Eldritch Gazette, and Dark Recesses Press. Fran’s limited edition debut novella, Mama's Boy, was nominated for the Bram Stoker Award (2006), as was the the follow-up collection, Mama's Boy and Other Dark Tales (2008 Stoker Finalist).
You can find Fran on FaceBook, Twitter, and at her blog.
For all you Coffin Hopper's out there, don't forget to leave a comment to win prizes. I'm offering a signed (by Gene O'Neill, Gord Rollo, Tim Marquitz, and me!) print copy of Fading Light: An Anthology of the Monstrous to one lucky winner who leaves a comment every day. For a free eBook of your choice from the AKP library of titles, one comment = one entry. Don't forget to stop by the Angelic Knight Press blog for a chance to win frame quality artwork and a free copy of Satan's Toybox: Terrifying Teddies. You should also visit the other Coffin Hop blogs here for a chance to win other great prizes.
♥Stacey
Thursday, October 25, 2012
Meet Patrick Greene
The good news is that it's still Coffin Hop time! So there is still time to win prizes and meet great people, all coffin hoppin' their way to Halloween. You should visit their blogs to win prizes and get daily doses of insanity, I mean, uh, wit. You can visit any of those fine folks here. And don't forget to stop by the Angelic Knight Press blog for a chance to win frame quality prints of our book covers.
Today I'm hosting Patrick C. Greene. He's the author of the recently released book, Progeny. You can find the book on Amazon, Barnes & Noble and other fine retailers. The book was just released this week by my friends over at Hobbes End Publishing. They are another example of a great small press and besides that, they're just nice people. I don't personally know Patrick but he was kind enough to send us an interview conducted by, well, someone who does know him well. So without further ado, I'll turn it over to them. Stay tuned at the end of the interview for ways you can win prizes this blog hop!
Patrick Greene, the dispassionate observer, interviews THE Patrick C. Greene, first-time novelist and renaissance weirdo, on a variety of topics.
Q: You're one day in as a published novelist. What does that feel like?
A: Very good—but odd. Progeny is already kicking ass, sales wise, and the paperback hard copy, a sample of which I just got a few days ago, looks so sharp. It's that classic experience of almost feeling like you exist outside of all this—like it's happening to someone else and you're just hitching a ride.
Q: Someone's going to ask eventually, so it might as well be me—uh, you. Have you ever seen Bigfoot?
A: Just on TV. And in my nightmares. Plenty of nightmares.
Q: Nightmares denote that the beast represents a source of terror, a threat. What of the shy and retiring Bigfoot from “Harry and The Hendersons” and the like?
A: I think the real Bigfoot, if there is or ever was one, would be just as complex and mercurial as any human being. Capable of both great kindness and murderous rage. And like any mammal, each one would have individual motivations and personalities. The novel's introduction by author Micah Hanks of Gralien Radio approaches these concepts from a couple of interesting angles.
Q: Are you afraid of running afoul of SADL?
A: ...SADL..?
Q: The Sasquatch Anti-Defamation League?
A: Funny. Just ask the questions and scribble the answers, Jimmy Olson.
Q: Right. Sorry. Progeny seems to be pretty heavy on testosterone, what with the hunters and the reclusive writer and the two sons playing such a large role. Anything for the ladies in there?
A: As a matter of fact, there is quite a strong heroine in Deanne. She's a very bright and independent half-Native American who serves as a sort of go-between for the town's less assimilated native people and the Caucasian businesses and government. She also helps Owen, the protagonist, and the two strike up quite a romance. She feels very motherly toward Owen's son Chuck, who, as a city boy well out of his element is in need of a little feminine nurturing. She's not the type to be intimidated, not by anyone or anything. There's a second strong female character as well—but it's best not to say too much about her.
Q: Mysterious! So you have a few short stories haunting Amazon, Barnes & Noble and other on-line bookstores. What can you tell us about them?
A: I had a lot of success with getting some short stories published a few years ago, so when I saw my fellow Hobbes End authors flourishing via on-line self-publishing, I saw the writing on the wall. Even with free promotions, it's a great way to get your writing into a reader's hands. I have quite a few short stories I've written over the years for an eventual collection I'd like to compile, so I'm giving them a little solo time in the interim. To synopsize: "Finders Keepers" is about a young bank-robber couple hiding out in a hotel where they find an old suitcase that contains an indescribable horror. "Bill's Becoming" is about a hopelessly unattractive man who suddenly finds within himself a beauty most terrifying indeed. My "Halloween Double Feature Fiction Affliction" is a pair of spooky shorts dealing with the dead coming into the world of the living on that beloved dark night of nights.
Q: In between fiction projects, you've spent some time as an actor, fight choreographer and screenwriter in the film biz. What was that like?
A: The film industry is a strange animal. I enjoy acting because a good role lets me explore certain aspects of my personality that might usually lie dormant. As a martial artist, I've always enjoyed seeing a great fight scene. Getting to actually construct and oversee them is tremendously satisfying. I don't have the resources of Hong Kong filmmakers, but I hope one day I will be able to compose a truly breathtaking fight scene that will stand alongside those Yuen Woo Ping (The Matrix) or Sammo Hung. As for screenwriting, I've been working to establish myself over the years and I'm finally starting to get there. There's a pair of anthology scripts in development and also a sort of dramatic thriller called “A Shotgun Wedding” which will shoot next year. I've been involved with a lot of projects that just sort of died under their own weight. It can be frustrating but now that I'm gaining ground as a prose writer it seems to be positively impacting the screen projects as well.
Q: Progeny'smain set up—a small group trapped in a fragile shelter while under siege from forces outside—is one of the most popular set ups for modern horror stories. Why do you think that is?
A: There's a lot of room to play with that. If you really want to analyze it, you could say the shelter represents the womb, and the outside force is the world at large, which you will eventually have to face. When it's done well—"Night of The Living Dead" for example, or "Assault on Precinct 13", you get this feeling of shrinking safety, of feeling like you're okay for now but that could end very soon. It's a breathless, live-in-the-moment kind of feeling that really makes you feel close to the characters. I've written a screenplay called S.O.L. that deals with a similar situation, though with more of a sci-fi/action bent. It's those moments during the siege when the outside force is not doing anything that makes the imagination come alive; wondering if you're about to get hit, or if the enemy has given up and gone away.
Q: Now that Progeny has been released, can you tell us what to expect? Other than, you know, the unexpected?
A: Damn, bro. You're making me look bad.
Q: Easy, fella. We're almost finished.
A: I've written a story called “Dark Cloud” that is very meaningful to me, appearing in The Endlands: Volume 2 from Hobbes End. I was also handed the opportunity to write the introduction, and considering the level of talent represented in this anthology, that was a very meaningful honor indeed! I'm between drafts on the dramatic thriller screenplay I mentioned called A Shotgun Wedding, and I'm also involved in writing a couple of "Creepshow" style films, one of which will be directed by the great Jack Sholder. Then there's my epic vampire novel, already in progress.
Q: Are these new-style, "sensitive" vampires, or old-school savage vamps?
A: They are generally quite complex—but capable of shocking brutality.
Q: I smell bestseller.
A: Me too!
Patrick's Bio: Some dark serendipity plopped a young Patrick Greene in front of a series of ever stranger films-and experiences-in his formative years, leading to a unique viewpoint. His odd interests have led to pursuits in film acting, paranormal investigation, martial arts, quantum physics, bizarre folklore and eastern philosophy. These elements flavor his screenplays and fiction works, often leading to strange and unexpected detours designed to keep viewers and readers on their toes. Literary influences range from Poe to Clive Barker to John Keel to a certain best selling Bangorian. Suspense, irony, and outrageously surreal circumstances test the characters who populate his work, taking them and the reader on a grandly bizarre journey into the furthest realms of darkness. The uneasy notion that reality itself is not only relative but indeed elastic- is the hallmark of Greene's writing. Living in the rural periphery of Asheville North Carolina with his wife Jennifer, son Gavin and an ever-growing army of cats, Greene still trains in martial arts when he's not giving birth to demons via his pen and keyboard. You can keep up with Patrick at www.patrickcgreene.com or http://www.facebook.com/patrickcgreene
Remember, to win a signed (by several authors) print copy of Fading Light: An Anthology of the Monstrous, you must leave a comment every day. To win a free eBook of your choice, from the AKP titles, one comment = one entry. Be sure to stop by tomorrow when I interview the talented and lovable Fran Friel.
♥Stacey
Today I'm hosting Patrick C. Greene. He's the author of the recently released book, Progeny. You can find the book on Amazon, Barnes & Noble and other fine retailers. The book was just released this week by my friends over at Hobbes End Publishing. They are another example of a great small press and besides that, they're just nice people. I don't personally know Patrick but he was kind enough to send us an interview conducted by, well, someone who does know him well. So without further ado, I'll turn it over to them. Stay tuned at the end of the interview for ways you can win prizes this blog hop!
Patrick Greene, the dispassionate observer, interviews THE Patrick C. Greene, first-time novelist and renaissance weirdo, on a variety of topics.
Q: You're one day in as a published novelist. What does that feel like?
A: Very good—but odd. Progeny is already kicking ass, sales wise, and the paperback hard copy, a sample of which I just got a few days ago, looks so sharp. It's that classic experience of almost feeling like you exist outside of all this—like it's happening to someone else and you're just hitching a ride.
Q: Someone's going to ask eventually, so it might as well be me—uh, you. Have you ever seen Bigfoot?
A: Just on TV. And in my nightmares. Plenty of nightmares.
Q: Nightmares denote that the beast represents a source of terror, a threat. What of the shy and retiring Bigfoot from “Harry and The Hendersons” and the like?
A: I think the real Bigfoot, if there is or ever was one, would be just as complex and mercurial as any human being. Capable of both great kindness and murderous rage. And like any mammal, each one would have individual motivations and personalities. The novel's introduction by author Micah Hanks of Gralien Radio approaches these concepts from a couple of interesting angles.
Q: Are you afraid of running afoul of SADL?
A: ...SADL..?
Q: The Sasquatch Anti-Defamation League?
A: Funny. Just ask the questions and scribble the answers, Jimmy Olson.
Q: Right. Sorry. Progeny seems to be pretty heavy on testosterone, what with the hunters and the reclusive writer and the two sons playing such a large role. Anything for the ladies in there?
A: As a matter of fact, there is quite a strong heroine in Deanne. She's a very bright and independent half-Native American who serves as a sort of go-between for the town's less assimilated native people and the Caucasian businesses and government. She also helps Owen, the protagonist, and the two strike up quite a romance. She feels very motherly toward Owen's son Chuck, who, as a city boy well out of his element is in need of a little feminine nurturing. She's not the type to be intimidated, not by anyone or anything. There's a second strong female character as well—but it's best not to say too much about her.
Q: Mysterious! So you have a few short stories haunting Amazon, Barnes & Noble and other on-line bookstores. What can you tell us about them?
A: I had a lot of success with getting some short stories published a few years ago, so when I saw my fellow Hobbes End authors flourishing via on-line self-publishing, I saw the writing on the wall. Even with free promotions, it's a great way to get your writing into a reader's hands. I have quite a few short stories I've written over the years for an eventual collection I'd like to compile, so I'm giving them a little solo time in the interim. To synopsize: "Finders Keepers" is about a young bank-robber couple hiding out in a hotel where they find an old suitcase that contains an indescribable horror. "Bill's Becoming" is about a hopelessly unattractive man who suddenly finds within himself a beauty most terrifying indeed. My "Halloween Double Feature Fiction Affliction" is a pair of spooky shorts dealing with the dead coming into the world of the living on that beloved dark night of nights.
Q: In between fiction projects, you've spent some time as an actor, fight choreographer and screenwriter in the film biz. What was that like?
A: The film industry is a strange animal. I enjoy acting because a good role lets me explore certain aspects of my personality that might usually lie dormant. As a martial artist, I've always enjoyed seeing a great fight scene. Getting to actually construct and oversee them is tremendously satisfying. I don't have the resources of Hong Kong filmmakers, but I hope one day I will be able to compose a truly breathtaking fight scene that will stand alongside those Yuen Woo Ping (The Matrix) or Sammo Hung. As for screenwriting, I've been working to establish myself over the years and I'm finally starting to get there. There's a pair of anthology scripts in development and also a sort of dramatic thriller called “A Shotgun Wedding” which will shoot next year. I've been involved with a lot of projects that just sort of died under their own weight. It can be frustrating but now that I'm gaining ground as a prose writer it seems to be positively impacting the screen projects as well.
Q: Progeny'smain set up—a small group trapped in a fragile shelter while under siege from forces outside—is one of the most popular set ups for modern horror stories. Why do you think that is?
A: There's a lot of room to play with that. If you really want to analyze it, you could say the shelter represents the womb, and the outside force is the world at large, which you will eventually have to face. When it's done well—"Night of The Living Dead" for example, or "Assault on Precinct 13", you get this feeling of shrinking safety, of feeling like you're okay for now but that could end very soon. It's a breathless, live-in-the-moment kind of feeling that really makes you feel close to the characters. I've written a screenplay called S.O.L. that deals with a similar situation, though with more of a sci-fi/action bent. It's those moments during the siege when the outside force is not doing anything that makes the imagination come alive; wondering if you're about to get hit, or if the enemy has given up and gone away.
Q: Now that Progeny has been released, can you tell us what to expect? Other than, you know, the unexpected?
A: Damn, bro. You're making me look bad.
Q: Easy, fella. We're almost finished.
A: I've written a story called “Dark Cloud” that is very meaningful to me, appearing in The Endlands: Volume 2 from Hobbes End. I was also handed the opportunity to write the introduction, and considering the level of talent represented in this anthology, that was a very meaningful honor indeed! I'm between drafts on the dramatic thriller screenplay I mentioned called A Shotgun Wedding, and I'm also involved in writing a couple of "Creepshow" style films, one of which will be directed by the great Jack Sholder. Then there's my epic vampire novel, already in progress.
Q: Are these new-style, "sensitive" vampires, or old-school savage vamps?
A: They are generally quite complex—but capable of shocking brutality.
Q: I smell bestseller.
A: Me too!
Patrick's Bio: Some dark serendipity plopped a young Patrick Greene in front of a series of ever stranger films-and experiences-in his formative years, leading to a unique viewpoint. His odd interests have led to pursuits in film acting, paranormal investigation, martial arts, quantum physics, bizarre folklore and eastern philosophy. These elements flavor his screenplays and fiction works, often leading to strange and unexpected detours designed to keep viewers and readers on their toes. Literary influences range from Poe to Clive Barker to John Keel to a certain best selling Bangorian. Suspense, irony, and outrageously surreal circumstances test the characters who populate his work, taking them and the reader on a grandly bizarre journey into the furthest realms of darkness. The uneasy notion that reality itself is not only relative but indeed elastic- is the hallmark of Greene's writing. Living in the rural periphery of Asheville North Carolina with his wife Jennifer, son Gavin and an ever-growing army of cats, Greene still trains in martial arts when he's not giving birth to demons via his pen and keyboard. You can keep up with Patrick at www.patrickcgreene.com or http://www.facebook.com/patrickcgreene
Remember, to win a signed (by several authors) print copy of Fading Light: An Anthology of the Monstrous, you must leave a comment every day. To win a free eBook of your choice, from the AKP titles, one comment = one entry. Be sure to stop by tomorrow when I interview the talented and lovable Fran Friel.
♥Stacey
Wednesday, October 24, 2012
It's time to Coffin Hop!
Come back tomorrow for an interview with Patrick C. Greene, the author of Progeny, just released by Hobbes End Publishing!
I'll also have other author interviews and some book reviews for your blog reading pleasure all during the Coffin Hop. And don't forget to visit the Angelic Knight Press blog. We're offering some really great one-of-a-kind prizes there too!
♥Stacey
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Satan's Toybox
Saturday, December 24, 2011
Creepfest Winners!
Obviously, commenting on every post wasn't too hard, as I only wrote two. I gave my excuses on my other blog. Basically, though, it all boils down to the fact that this is the last Christmas that I know my kids will be home for. My youngest son is leaving for the Marines soon, and my son-in-law is leaving for the Air Force. No idea where either will be stationed next year. So I didn't want to miss a minute of this year. No one says at the end of their life, "Hey, remember that Christmas, the last one we were all together for? Remember how I was always working and missed most of it? Yeah, I should have done that more often." Nope.
But I did have a contest and there are winners!
Nora Peevey wins the copy of Satan's Toybox: Toy Soldiers! Congrats, Nora!
And I will be giving a free copy of Satan's Toybox: Demonic Dolls to Cindy Keen Renyders, Red Tash and Nora.
Thanks to everyone who visited my blog! Hope you all come back!
♥Stacey
But I did have a contest and there are winners!
Nora Peevey wins the copy of Satan's Toybox: Toy Soldiers! Congrats, Nora!
And I will be giving a free copy of Satan's Toybox: Demonic Dolls to Cindy Keen Renyders, Red Tash and Nora.
Thanks to everyone who visited my blog! Hope you all come back!
♥Stacey
Tuesday, December 20, 2011
Meet Ruth Barrett...

1. How long have you been writing?
I've been writing stories since I was a young child. Apparently my Grade 2 teacher called my Mom to ask if she had written a story I handed in because it seemed 'too good'!
2. What's the first thing you had published?
I had a short story 'Family Secrets' published in an anthology "Wordscape 6" back in 2000.
3. Do you write full time or do you have a day job?
My day job is writing descriptive video scripts for TV and film so that visually impaired folks can enjoy a more complete experience of a program. Basically, I fill in the blanks and describe around the existing soundtrack so that they can visualize characters and setting, and understand key action that they'd otherwise miss. So far, fiction doesn't pay enough for me to do that full time. (So far... !)
4. What is your writing routine?
I don't really have a set routine. I tend to noodle ideas for a long time: make notes-- research-- gather bits and pieces. Once I have the ingredients of a project, I let it 'cook' in my mental crock-pot before I start a first real draft. Once I get going full-steam, I can lose whole days writing without feeling the time pass.
5. Have you always been a fan of the Horror genre?
I read a lot of Stephen King, Peter Straub and John Saul from the age of 12. I guess that's what's wrong with me!
6. What scares you? Any silly phobias?
No silly phobias. Heights are scary for a reason: if you fall from a height, it will maim or kill you. I am afraid of major illness. Again, that's not silly: I've had some pretty traumatic life-and-death situations involving hospitalization over the past few years. As for being freaked out by silly things like clowns or mice or spiders, not so much. Although clowns are pretty creepy. I'd rather have spiders in my house than a clown.
7. What other writers do you admire?
I love writers in every genre-- too many to mention. The above are obvious choices for the horror genre, but I adore Ian McEwan, Margaret Atwood, Ian Rankin, Sarah Waters and Emma Donoghue among others. Classics like Shakespeare and Dickens and the Bronte sisters... I've read a bit of everything over the years.
8. What is your favorite thing about the indie movement?
The unwavering support and friendliness of other indie folks. It is NOT a competition. We all seem happy to push each other's stuff and help where we can. It's great to feel a part of a community.
9. Best writing advice you've ever been given?
When you write a first draft, don't give into the temptation to go back over and fiddle with it as you go. Just write it through start to finish and don't worry about inconsistencies or tangents. That is a discovery draft, and it's not meant to be seen by anyone but yourself. If you keep going back over it, all you'll do is second guess yourself to death and re-write the first 40 pages 63 times. That way madness lies: you'll never get it done. Write until it's finished, let it rest for a week, then go back over and start to rewrite and fine tune.
10. What advice would you give any newbies out there?
Hone your craft. Join a writers group or take courses. Read a LOT. Use beta readers (not just your Mom). Don't rush to put your work out before a paying audience until it's the best it can be: half-assed writing just cheats everyone. Have it edited, properly formatted and professionally presented. Just because it's an indie book that doesn't mean it can be substandard.
You can stalk, I mean follow, Ruth here: Twitter: https://twitter.com/#!/LadyCalverley
Facebook: https://www.facebook.com/pages/Spirited-Words-Book-Co/101014656667433
Blog: http://ruth-barrett-spiritedwords.blogspot.com/
You can find her book, Base Spirits, here: Amazon Kindle: http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1315163319&sr=1-1
Smashwords: http://www.smashwords.com/books/view/84640
For a chilling ghostly read with a historical twist, Base Spirits is available as a paperback through Fanfare Books fanfare@cyg.net or Callan Books jcallan@orc.ca Ruth will personally inscribe them upon request before shipping.
Don't forget the contests: To win a copy of Toy Soldiers (when released), please leave a comment on every post between now and December 24th. To win a copy of Demonic Dolls, simply ask for one and promise to review it!
Don't forget to visit the other great blogs in this blog hop and win more prizes!!
♥Stacey
Wednesday, December 14, 2011
12 (now 11) days of Creepfest...

What, you're now asking, is a Creepfest? It's a blog hop of course. I know, I know, now you're wondering what a blog hop is, aren't you? Well, so did I. It appears that it's a very good chance to check out other horror writer's (in this case) blogs and also to win prizes. For free. Did I mention that there were prizes to be won?
So, when you're finished here...hey! Come back, we aren't finished! You should check out all the other lovely (scary?) blogs that are listed at the bottom. Maybe you'll find some new blogs to read. Maybe you'll win some prizes. It's not like you're doing anything else right now...
So what kind of prize am I offering? Well, I think I'm going to run two contests and give away two prizes. Why? Because I'm feeling immensely relieved right now that I've just sent "Satan's Toybox: Toy Soldiers" to the formatter. I'm finished with the editing and compiling, and can finally come up for air. Want to know a secret? It's good. I mean, really good. Don't get me wrong, "Satan's Toybox: Demonic Dolls" is good. But I think I like Toy Soldiers even better. But to be fair (can't go playing favorites), I'm going to give away a free eBook of both. The winners will receive Smashwords coupons so that they can download in any format their little heart desires.
What do you have to do to win? Easy-peasy. To win a brand new, hot off the presses copy of "Satan's Toybox: Toy Soldiers", which releases on Monday, the 19th, you must leave a comment on every blog post between now and December 24th. The contest will end on December 24th and I will pick a winner, randomly, out of a hat, and announce said winner on the Christmas Eve blog post.
To win a copy of "Satan's Toybox: Demonic Dolls" you merely have to ask for one. And promise a review on either Amazon, Smashwords, Goodreads, or, of course, all three, if you're feeling generous. It would be way cool if you reviewed it on your blog, but I won't get too picky. Just leave a comment on any blog post between now and December 24th and I'll draw names out of a hat again. The winner will be announced on the Christmas Eve blog post.
I have some fun things planned for the next few posts, including some author interviews (who are also doing give-aways), some fiction, and some rambling. So come back soon. Oh, and don't forget to go visit the other participants! You never know what you want to win- until you see it! I've posted the linked blogs at the bottom of this post. Have fun! Win big!
♥Stacey
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